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functional tonality造句

"functional tonality"是什么意思   

例句與造句

  1. Much jazz is tonal, but " functional tonality in jazz has different properties than that of common-practice classical music.
  2. The result is an implied tonal center, although in much of his harmony the functional tonality of tradition plays no governing role.
  3. Freely composed, the bass could control harmony in a way that made possible the chord progressions and gradual shift to functional tonality that took place a hundred years later.
  4. Because these composers generally replaced the functional tonality of their models with extended tonality, modality, or atonality, the term is often taken to imply parody or distortion of the Baroque or Classical style.
  5. In this song as in the other two, he relies less on functional tonality as on creating a mood, in this case, of a sweeping wind that is personifying one wild and drunk with love.
  6. It's difficult to find functional tonality in a sentence. 用functional tonality造句挺難的
  7. Many composers sought new timbres within the framework of traditional instruments . " Composers begin to hear new timbres and new timbral combinations, which are as important to the new music of the twentieth century as the so-called breakdown of functional tonality, " writes music historian James McCalla.
  8. He includes passages with chromatic mediants  chords with roots a third apart  as well as circle-of-fifths passages that reach harmonically remote regions, such as G-flat, something done rarely even during this experimental time, the decades prior to the development of functional tonality.
  9. In the music of some late-Romantic or post-Romantic composers such as Richard Wagner, Hugo Wolf, Pyotr Ilyich Tchaikovsky, Anton Bruckner, Gustav Mahler, Richard Strauss, Alexander Scriabin, and others, we find a variety of harmonic and linear procedures that have the effect of weakening functional tonality.
  10. Monteverdi replied in the introduction to his fifth book of polyphonic ideal of the sixteenth century, with flowing counterpoint, prepared dissonance, and equality of voices; and " seconda pratica " being the new style of monody and accompanied recitative, which emphasized soprano and bass voices, and in addition showed the beginnings of conscious functional tonality.
  11. During the 15th century, the sound of full triads ( three note chords ) became common, and towards the end of the 16th century the system of church modes began to break down entirely, giving way to the functional tonality ( the system in which songs and pieces are based around musical " keys " ), which would dominate Western art music for the next three centuries.
  12. In his tenth book of madrigals ( 1591 ), six of the compositions may have been intended for a solo singer with instrumental accompaniment, in the manner of the tonal, anticipating the changes in musical language of the early Baroque, during which functional tonality crystallized out of the pre-tonal universe of the late Renaissance; in addition these late compositions are mainly homophonic, with only occasional polyphonic passages appearing as an animating contrast.

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